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Yours to Mine

by Emily Einhorn

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1.
VERSE God, why do I have to write my chords, All over the piano board? Seems, Like all these progressions are the sounds of all the thinking that I can’t afford. Why, do I only have to speeds? Got, whiplash from my wants and needs. These, delicate foundations of the happy little life I try my best to lead. Where, did the passing time go? So, high and then I’m so damn low. I’m lost again before I know. I’m screwing up the whole damn… Show, staring as the stunning lead. So you’ll believe. That I’m free. CHORUS Well the jokes on me. I’ve racked up a thousand cruel attacks upon my vanity. Agony I have no right to. Could it be, My mind is my worst enemy? VERSE And, I’m feeling like I’m black and blue. From this obsession that I have with you. You’re, only in my head and yet you leave your tread on every little thing I do. You’ve, Got me on an iron string. Don’t, know which direction I’ll swing. I’m bated then equated to the nightmare that my mirror won’t stop reflecting. Where, Did my piece of mind go? So, high and then you bring me low. Good, god I’m ready to outgrow. This, pathological shit show. Oh, starring as the stunning lead. So, you’ll believe. That I’m free CHORUS Well the jokes on me I’ve racked up a thousand cruel attacks upon my vanity. Agony I have no right to. Could it be, My mind is my worst enemy? BRIDGE Oh, my worst enemy, it’s clear to see. Is every night I’m up till three o’clock, Lost in reverie for what I’ll never be.
2.
“Yours to Mine” VERSE I, never had something that I couldn’t keep away from. No I, Could choose to lose myself in new space and times. And god forbid a man should ever look my way. Oh no I, Zoom to assume someone else in the room’s his prize. I’ve done it ton thousand times. And, in this fashion I keep the passion far, far away from me. I, Keep firm control over my soul and my mind. I do it and I swear I’m fine. CHORUS But since our encounter, I find I count your words carefully in my mind. And when we are facing, I can’t help tracing the paths from your limbs to mine. Yours to mine, yours to mine. And, and yes I do lament your arrogant presentation. But I’m, Still mesmerized as you devise every line. I’m weaker with passage of time. CHORUS And it’s quite obstructive. Just how disruptive your system can be to mine. And I was just cruising, ‘till introducing your reckless being to mine. Yours to mine. BRIDGE And I think maybe I’m going crazy. And I couldn’t tell you what became of me. You never gave me implication for justification of the situation I am in. INTERLUDE And I know you’ll never be mine… CHORUS ‘Cause when we’re comparing, our levels of caring there’s light years from yours to mine. And it’s devastating, When I’m calibrating distance from your world to mine. Yours to mine.
3.
VERSE You’re a busy headed boy. You think about each word you state, And yet maintain a stunning rate. Each day, You fold the whole world neatly in your brain. A busy headed boy, you are. I like to give you room to speak. ‘Cause you put your moments through a sifter, And collect each little gift-your mind. Won’t rest until its drained this whole life dry. Familiar kind of mind to mine. CHORUS And stubborn dark days can’t persist, Confronted by your sweet existence. I, Can’t stop corners of my mouth raising, In wake of your brilliant phrasing. And, every day. I’m happy I stopped loving you, So that I could start loving you. The right way. BRIDGE You keep me in line ‘cause you see, All of me. VERSE And I like to watch your moods, Chase each other in these endless circles. As you balance play and work. You’ll strain, To hold the worlds weight on your buoyant frame. But what a joyful game, you play. CHORUS And together we celebrate, The quirky ways that we relate. And I, Live life dangerously close to laughter, Since you installed your own chapter, In, all my days, And I’m happy I stopped loving you, So that I could start loving you, The right way.

about

Yours to Mine celebrates a year that has come full circle. It is dedicated to the exceptional people I have found in Saratoga Springs with whom to share each season's challenges, changes and discoveries. It is always a joy encouraging and inspiring one another's creativity.

Thank you especially to Harry for the relentless generosity, steadiness, and for flawlessly turning visions into realities.

credits

released January 15, 2018

Emily Einhorn: vocals, piano
Paul Goldfinger: bass
Ben Curell: drums
Harry Risoleo: violin, guitar
Josh Gluck: saxophone

Music & Lyrics by Emily Einhorn

Engineered, Produced and Mixed by Harry Risoleo

Album photography by Eliza Siegel

Thank you so much to everyone involved in this collaboration. It is truly special to make music with such incredible musicians and friends.

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Emily Einhorn Saratoga Springs, New York

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